SCOTS recorded live in-studio on Halloween, October 31, 2016 at KCSN, Northridge, Los Angeles
SCOTS at the Savannah Stopover Music Festival
Jon Chattman was at the 5th Annual Savannah Stopover Music Festival March 5-7, 2015 and captured this exclusive performance of Freak Flag for The HuffPo and A-Sides Jon Chattman. Ths was filmed at the Stopover Artists' Lounge.
Full length concert of SCOTS at Shakori Hills in beautiful, bucolic Chatham County NC.
Recorded for WUNC-TV's North Carolina channel June 2016.
Features an interview with Rick and concert footage from October 2014 at the Sellersville Theatre 1894 in Sellersville PA.
Southern Culture On The Skids has been spreading the rock and roll gospel since since they formed in Chapel Hill, NC in1983. Guitarist/singer Rick Miller, drummer Dave Hartman and bassist/singer/heartbreaker Mary Huff, play a greasy mix of surf, rockabilly, R&B and country-fried garage with a side of psych, all the while driving fans into ecstatic, sweat-drenched paroxysms of joy. It’s a musical gumbo Miller calls, “Americana from the wrong side of the tracks.” The band has been prolific and ubiquitous for over thirty years, touring everywhere from the North Carolina Prison System to Mt. Fuji, Japan and delivering what Rolling Stone calls “a hell raising rock and roll party.”
In 2014 the band was honored by the Southern Folk Life Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. The flame-adorned La-Z-Boy from the cover of their Plastic Seat Sweat LP now resides at UNC-CH!
THE ELECTRIC PINECONES
Southern Culture On The Skids' newest album, The Electric Pinecones, was released on September 16, 2016. It's the band’s fifth album on their own label, Kudzu Records. The album features 12 original SCOTS tunes — 11 brand new songs and a whole-lotta NOLA remake of the SCOTS classic, “Swamp Fox - The Original.” All the tunes were produced and recorded at Rick’s studio in NC, The Kudzu Ranch.
The Electric Pinecones is a bit of a departure for the band conceptually and sonically. The inspiration for the record was born in an alter-ego side project from the early years of the band. “The Pinecones was folk-a-hill-a-billy garage band we used to put together just for kicks,” Miller relates. “We loved the sound of '60s west coast folk rock and psych bands. The Pinecones was our outlet for material that was not in the SCOTS vein. We even opened for ourselves occasionally. The Pinecones set list was the jumping off point for this latest collection of songs.”
The first single off the album, “Grey Skies,” is a minor key mood piece with that folk-a-billy, psychedelic sound. Listen to how the acoustic 12-string riff slides into the band’s hypnotic rhythms that propel Mary Huff’s reflective vocal into the mind’s eye of times past and love lost. “Check out the Mellotron on the chorus – that is a first for us,” Miller says.
The lead off track, “Freak Flag,” is more upbeat, but no less tweaked, with modulating guitars riding on pounding drums after the first verse. The song’s message is a good one – it is okay to be different and always respect yourself. The band debuted the song to an auditorium full of rowdy students at Carrboro Elementary School. “I was nervous,” Miller says “if the kids don’t like something they let you know, but when they started singing along with the second chorus and waving their imaginary freak flags in the air, I knew it was a hit!”
“Dirt Road” is Mary’s three-minute ode to séances, thunderstorms and good lovin’ long gone. The song is a backwoods southern gothic ghost story that opens with a big tom fill then twists and turns around a folky strum and a fuzz guitar. Mary’s spooky-good vocal takes it down that dirt road way back into the piney woods.
The album also has some country rock songs that highlight the melodic side of SCOTS, with “Baby I Like You,” “I Ain’t Gonna Hang Around” and “Given To Me” featuring some of the best harmonies Rick and Mary have ever recorded.
“Waiting On You” is the longest song on the album, coming in at 4:22; it’s a folk-garage-rocker with a sing-a-long chorus that segues into a surf raga breakdown before heading back to the big riff and out.
The album has traditional Southern Culture flavor too. Check out the remake of “Swamp Fox – The Original”. This take goes back to the beginnings of the song and is much closer to capturing the essence of the many all-nighters the band pulled in NOLA with friends and colleagues. The country funk of “Rice and Beans,” is a good humored tale of a cash strapped southern courtship, and “Midnight Caller” is Mary’s slinky R’n’B flavored woman-to-woman warning about bad men looking for good times.
Song for song, on The Electric Pinecones, Southern Culture On The Skids continues to blow minds and blur the lines between genres delivering a stellar album. From their 1985 debut Voodoo Beach Party, to their 1988 international smash, Dirt Track Date (featuring the hit single "Camel Walk"), and now to the SCOTS-ified tunes of The Electric Pinecones, 30+ years, 200+ songs and 1,000,000+ road miles in, Southern Culture On The Skids just continues to get better with time.
Southern Culture On The Skids on NPR's World Cafe from wXPN Founded in 1983, Southern Culture On The Skids has been touting the virtues of dirt-track racing, Little Debbie pastries and kudzu for over 30 years. The North Carolina band — made up of Rick Miller, Dave Hartman and Mary Huff — plays music that amalgamates rock, funky old soul and country, presented with tongue firmly in cheek. Southern Culture On The Skids' latest album, The Electric Pinecones, is named after an acoustic spin-off project from its past, back when the band sometimes opened for itself. And the name of its label, Kudzu, comes from the creeping vine that's invaded the South. Hear the complete session...
No Depression by Michael Colby So Much Fun It Can't be Legal in 22 States - Southern Culture on the Skids - The Electric Pinecones. This album is just plain fun; listening to it makes me feel good. The title "The Electric Pinecones" comes from a side project called The Pinecones, which the band describes as "country pysch garage band." Southern Culture on the Skids formed in Chapel Hill, North Carolina in 1983 and have released over a dozen albums. Consisting of Rick Miller on guitars and vocals, Mary Huff on bass and vocals, and Dave Hartman on drums and percussion, their sound to date has been a mixture of rockabilly, alt-country, and punk, with a white trash sensibility, all served up with a good dash of humor...
Read the rest of the review at http://nodepression.com/album-review/so-much-fun-it-cant-be-legal-22-states
Blurt by Fred Mills It’s unlikely that the majority of Southern Culture On the Skids fans remember the Pinecones—or, for that matter, are even aware that, for a stretch during the late ‘80s, SCOTS had an alter-ego bearing that name. Yours truly remembers, though, and fondly so. (I have the live bootleg tapes to prove it.) Essentially, the band would perform an opening set as the Pinecones, playing acoustic-based twangy/strummy countryish stuff (sometimes with a lap steel featured prominently) along with bits of melodic folk-rock. After a break, they’d come back out in full electric gonzoid SCOTS swampabilly ‘n’ choogle, and the contrast between the two sets was not only intriguing, it helped display the depth and breadth of their influences and inspirations. The Electric Pinecones is not a revival of the Pinecones, however, but a record more generally inspired by some of the material that the alter-ego worked up back in the day. The addition of the word “electric” is the tipoff. In the words of bandleader Rick Miller, “Those old setlists became the starting point for this record.” And what a terrific record. From first single “Grey Skies,” with its jangly modal riff and ‘60s West Coast vibe, and its twangier, equally Nuggets-worthy compatriot “Dirt Road”; to the moody, tremolo-infused “Waiting on You” and a bluesy, psychedelic ballad given the perfectly-themed title of “Slowly Losing My Mind”: The Electric Pinecones does indeed find Miller, bassist Mary Huff and drummer Dave Hartman dipping into territory they don’t routinely explore on album. ...
Read the rest of the review at http://blurtonline.com/review/southern-culture-skids-electric-pinecones/
AllMusic by Mark Deming Conventional wisdom tells us that change is good, and there are plenty of bands that have been well served by shaking up their formula once in a while. Southern Culture on the Skids have been serving up their own distinct brand of deep-fried hillbilly rock since 1990, and the band has never failed to deliver on-stage and in the studio. But with 2016's The Electric Pinecones, SCOTS have stepped a few paces outside their usual creative boundaries, and with enjoyable results...
Read the rest of the review at http://www.allmusic.com/album/the-electric-pinecones-mw0002969414
Elmore Magazine by Mike Cobb For over thirty years, Southern Culture On The Skids have played an eclectic range of Americana including rockabilly, surf rock, country and r&b, with a punk edge and heaps of humor. They are known for their legendary live shows and wacky antics, including throwing fried chicken and banana puddin’ into the crowd as well as inviting audience members on stage to dance. Visually SCOTS look a bit like the hillbilly stepchild of the B-52’s with Mary’s trademark beehive hair-doo and Rick’s hick overalls. But it’s more than just great fun; they are fantastic musicians to boot...
Read the rest of the review at http://www.elmoremagazine.com/2016/10/reviews/albums/southern-culture-on-the-skids
by Sheila Walsh Everyone’s musical crush: Southern Culture on the Skids
“Growing up in North Carolina and California, I listened to a lot of different things,” recalled Miller. “Rhythm and blues, soul music, pop music, rock and roll, country, all on the same radio station. From Buck Owens to the Beatles to Aretha Franklin, nothing was out of the ordinary for Miller...
Read the rest of the review at http://shutter16.com/everyones-musical-crush-southern-culture-on-the-skids/
Creative Loafing by Anita Overcash Anyone who ever had the chance to see Southern Culture on the Skids' alter ego, The Pinecones, perform will get their memory jogged on SCOTS' new album, The Electric Pinecones. In the past, the band opened sets for themsevles under the moniker, delivering a swampy, and more '60s surf pop rock feel. That's become a source of inspiration for the group and the by-product is The Electric Pinecones, the band's fifth on their independent label, Kudzo. There's still rockabilly, folk-rock and Americana elements with narly duets between Rick Miller (guitarist/singer) and Mary Huff (bassist/singer), along with steady repetitive drumbeats and swirling, tremolo effects on guitar...
Read the rest of the review at http://clclt.com/charlotte/southern-culture-on-the-skids-the-electric-pinecones/Content?oid=3804009
Press Clippings from Spain! (PDF of press clippings from multiple Spanish music outlets including Popular1) Southern Culture On The Skids es de esas bandas que cuando publican un nuevo disco ya estamos deseando verles una vez más en vivo y que saquen otro cuanto antes. Ahora el turno de “The Electric Pinecones”, el álbum más inusual de su carrera. ¿Por qué?: Rick Miller nos lo cuenta, además de narrar unas bonitas historias sobre alguno de sus ídolos...
[via Google Translate: Southern Culture On The Skids is one of those bands that when they publish a new album we are already looking forward to seeing them live again and getting another one as soon as possible. Now the turn of "The Electric Pinecones", the most unusual album of their career. Why ?: Rick Miller tells us, as well as telling some nice stories about some of his idols...]